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Immersive spaces

Exhibitions and spatial narratives


A selection of exhibition productions. These works have been presented at major institutions and festivals including, Melbourne Now, National Gallery of Victoria, Qagoma, Singapore Art Musuem, and the MCA. 

Sampling the City
Melbourne Now, NGV, 2013
Curated by Fleur Watson


Sampling the City reveals the complex web of personalities, factions and trajectories that make up Melbourne’s vibrant contemporary architectural culture. Presented in an immersive video and sound space, the work and buildings by over twenty Melbourne architecture practices illustrate five themes representation and the city; craftsmanship and materiality; art-engaged practice; stitching the city; and bio-futures/advanced architecture.


Photography by Peter Bennetts

Curated by Fleur Watson, the project features exhibition design by Amy Muir and Stuart Geddes, projection and soundscape design by Keith Deverall, introductory narrative by Watson and Michael Spooner, and built environment imagery by Peter Bennetts.

Trigen
Perceptive Power, RMIT Design Hub, Climarte, 2015
By Keith Deverell


Multiple channel video installation revealing the hidden power usages of Melbourne Airport. The video was produced in partnership with Melbourne Airport.


Photography by Lauren Dunn

A Bit Na Ta
Number One Neighbour, Qagoma, 2016
Project leader David Bridie


‘A Bit Na Ta’ locates the – source of the sea – Blanche Bay, Rabaul – in the Tolai language of East New Britain. It is also the title of a project commissioned for the upcoming Queensland Art Gallery exhibition ‘No 1 Neighbour: Art in Papua New Guinea 1966-2016’. Comprising a music video installation and performance event, the project will feature newly commissioned songs by leading Australian and Papua New Guinean musicians including the celebrated George Telek. These will draw on the rich oral histories of the Tolai people, transposing into contemporary beats, personal stories of the period between 1875-1975.


Photography by Qagoma

Natural State
Perceptive Power, RMIT Design Hub, Climarte, 2015
By Keith Deverell


Natural State traces a pathway through central Tasmania and contemplates the intersections between nature, industry, and toursim. The installation presents a series of moving landscapes as a thread of contemplation.


Photography by Lauren Dunn
BSOD acknowledges the traditional owners of the lands we work on across Australia, and we pay our respects to elders past, present and emerging. We respect the power of country and its value and meaning to indiginous people of lutruwita / Tasmania, and across Australia. 

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